Exclusive: Blair Underwood Reflects On Krush Groove’s 35th Anniversary

Blair Underwood Krush Groove.jpg

Today is the 35th anniversary of the urban classic Krush Groove’s theatrical release date. Directed by Michael Schultz from a script written by Ralph Farquhar, the rap featured a number of rap stars from Run-DMC, The Fat Boys, Kurtis Blow, Beastie Boys and LL Cool J; who was making his big screen debut. Other musicians in the film were Sheila E., New Edition, Full Force, Rick Rubin and Nayobe.

Making his film debut was a young actor named Blair Underwood, who would later go on to star in many TV series and films such as L.A Law, City of Angels, Sex and the City, Dirty Sexy Money, Agents of S.H.I.E.L.D., Set It Off, G, Something New, Juanita, and most recently Bad Hair.

Krush Groove - Rick Rubin and Blair Underwood.jpg

This film is based on the early days of Def Jam Recordings and up-and-coming record producer Russell Simmons (renamed Russell Walker in the film) and Rick Rubin.

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

Earlier this year, I had a chance to ask about his memory of Krush Groove as he was promoting the Netflix film, Self Made: Inspired by the Life of Madam C.J. Walker’ starring Academy Award winner Octavia Spencer.

Krush Groove - Sheila E and Blair Underwood.jpg

This year will mark the 35th anniversary of Krush Groove, where you made your film debut. It’s been a long journey from there to now. Can you talk about Krush Groove and your fondest memories doing your first film?

Blair Underwood: Being able to kiss Sheila E. That’s the fondest memory I have. No, seriously because the first time we kissed we had already done a love scene, but that wasn’t until later in the shooting. So there’s a scene when Run comes off the elevator. I come off the elevator, and we meet in the hallway. And Sheila’s there. Michael Schultz, the director, said, “Because you guys already made love together in the story, continuity wise, I think when you greet each other, you should kiss.” That wasn’t in the script. I didn’t come to set thinking we’re going to be doing that. So when they said “Action,” Sheila comes around, and she put a kiss on brother that is a fond memory to this day.


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