Exclusive: Walt Disney Animation Studios CCO Jennifer Lee talks ‘Wish’

In an exclusive interview, Blackfilmandtv.com correspondent Sharifa Daniels sat down with Jennifer Lee, the Chief Creative Officer of Walt Disney Animation Studios, to get an inside look at her latest project, "Wish." With an impressive career that includes writing and directing the iconic "Frozen" (2013) and "Frozen 2" (2019), Jennifer Lee's influence on animation is undeniable. Notably, she is the first female director of a Walt Disney Animation Studios feature film and the first female director of a film that grossed over $1 billion at the box office.

Wish is co-directed by Oscar-winning animation filmmaker Chris Buck (director on Tarzan, Surf's Up, Frozen, Frozen II, and other Frozen-related spin-offs) & story artist Fawn Veerasunthorn (making her directorial debut after working as head of story on Raya and the Last Dragon)

As the Chief Creative Officer since 2018, Jennifer Lee holds the reins to all films, series, shorts, and associated projects from Walt Disney Animation Studios. Her recent work includes serving as the executive producer for the Academy Award®-winning "Encanto" and the critically acclaimed "Raya and the Last Dragon."

In this interview, we dive into the world of her upcoming project, "Wish," a captivating musical comedy set to hit the big screen this Thanksgiving. Featuring the voices of Academy Award®-winning actress Ariana DeBose as Asha, Chris Pine as Magnifico, and Alan Tudyk as Asha’s favorite goat, Valentino, "Wish" takes viewers on a journey to the magical kingdom of Rosas, where an idealistic young woman named Asha makes a wish that could change her world forever. But what sets this film apart is its commitment to diversity, both in front of and behind the camera. Jennifer Lee shares her thoughts on the importance of inclusion and representation in the world of animation. As well as the fascinating complexity of creating compelling villains. 

This Interview was edited for length and clarity

One aspect I truly admire about this project is the abundance of pioneering women involved, like Yvette Murano and Ariana DeBose. Could you discuss the significance of having these trailblazing women on board for this project?

Absolutely. It's been truly gratifying to witness the opportunities that have emerged over my 13-year tenure at Disney. I've been fortunate to benefit from such opportunities, and stepping into this role, I've made it a priority to continue fostering them. The journey has been incredible, watching the creation of new opportunities throughout my time here. For instance, Fawn Veerasunthorn, who started her career as a story artist on "Frozen," has been an inspiring presence. She's the kind of talent who continuously absorbs and applies knowledge, enhancing her vision with each project. Witnessing this growth has been a remarkable part of my role, and I'm grateful for it.

That's remarkable. This film embraces both diversity in its cast and behind the scenes. What are your hopes for the impact of this film on the future of animation, especially regarding character representation? Also, a quick question, is Asha's best friend a disabled character?

Indeed, Asha's best friend is a character with a disability, an important aspect of the film's commitment to showcasing both diversity and disability representation. Disney has always stood for inclusivity and unity. We've built a narrative that allows people from all walks of life to come together and create a kingdom. We had the privilege of working with a diverse array of actors, celebrating the rich tapestry of our world. This film sets an example that when diversity and inclusion are embraced, storytelling knows no bounds.

The film seamlessly incorporates diversity, including Asha's parents, into the story. Can you share more about how this was achieved, making diversity feel natural and integral to the narrative?

It's all about the power of ideas to connect us, regardless of our backgrounds. Disney has always conveyed the message that storytelling and the concept of possibility can unite people. Whether it's the actors we collaborate with or the talented individuals working behind the scenes, everyone brings their unique Disney experiences from their own journeys. This collective effort allows us to celebrate the diversity of our world and the common thread that is Disney. It's a testament to the enduring legacy of Disney and its ability to bring people together.

Did this film inspire you personally, especially in terms of your journey as a writer and storyteller?

Absolutely, and that's a fantastic question. This film resonates with that pivotal time in life when you start seeing the world's flaws and feel compelled to change it. I've experienced this, and watching my daughter navigate her own path at 20, I see the same journey in her. Asha's character, in particular, embodies the idea of discovering one's potential when you least expect it. It reminds me of my own journey, the mistakes I made at 17, and the realization that perseverance is key. Connecting with the teenagers in the film and their camaraderie, their authenticity, is something I strongly relate to. My approach to storytelling has always been to create authentic characters and let their actions define them. Even with a character like Magnifico, the complexity lies in understanding the motivations behind his actions. Ultimately, a character's true test is how they navigate challenges and make choices. Delving into Magnifico's character was an interesting journey of understanding the roots of his ambition and the beliefs driving him. It's about finding authenticity and possibility even in flawed characters.

Before we wrap up, I'd like to share that I'm already intrigued by Magnifico and the complexity of villains in storytelling. They often challenge us to humanize them, seeing their human side and understanding what led them down that path.

Indeed, that's the beauty of storytelling. It allows us to examine our world and reminds us that things aren't always black and white. Characters like Magnifico prompt us to look beyond the surface and perhaps discover unexpected depths. It's a valuable lesson in empathy and understanding.

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Exclusive: Directors Chris Buck and Fawn Veerasunthorn discuss the making of Disney’s ‘Wish’

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