Sundance 2021 Films Featuring and Directed By Black Talent

Unlike previous years where hundreds of filmmakers, talent, press and audience come down to Park City, Salt Lake City to take part of the Sundance Film Festival (Jan 28 - Feb. 3), this year is totally different. Because of COVID-19, this year’s festival is taking place virtually and while it’s not the same experience, it does offer ample opportunities for films to be seen and noticed.

In regards to films of color, last year’s festival was record breaking in the number of the films shows as premieres and in competition. There was also a record amount of Black women directors with films in competition. Three of the top jury prizes at that festival were presented to Black women (Radha Blank, Garrett Bradley and Maïmouna Doucouré). Blank’s The 40-Year-Old Version won U.S. Dramatic competition prize. Bradley’s Time won in the U.S. Documentary competition and Doucouré’s Cuties won in the World Cinema Dramatic competition.

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In 2021, director Shaka King will be returning to the festival with his first studio film, Judas and the Black Messiah. Starring Oscar nominee Daniel Kulaaya and Lakeith Stanfield, the film tells the studio of Black Panther Fred Hampton and the man who betrayed him, William O’Neal. King’s debut feature Newlyweds premiered at Sundance in 2013. Actress Rebecca Hall, whose mother is African American opera singer Maria Ewing, is making her directorial debut with Passing, starring Tessa Thompson and Ruth Negga in a story of two women who lived their lives in opposite directions when it came to passing as White. Director Jamila Wignot has a documentary on famed dancer and pioneer Alvin Ailey. Ahmir "Questlove" Thompson directed the doc Summer of Soul which focuses on the Black culture that existed at Woodstock. Director Carey Williams, who won the 2018 Sundance Short Film Special Jury Award for Emergency, returns with the feature film R#J, a new take on Romeo and Juliet. Speaking of short films, there’s good amount of shorts directed by Black talent this year.

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The Blackhouse Foundation stands out as a bastion for the most influential and impactful Black writers, directors, producers, crew, actors, and actresses throughout film, television, digital media, and beyond. This year, due to the continued impact of Covid-19, access to programming at The Blackhouse has been democratized with multiple days of programming broadcast on multiple social media channels and via the festival’s virtual platform. If visiting The Blackhouse at Sundance has ever been an item on your bucket list, this year you can check it off your list by attending on your phone or computer! The Blackhouse programming will run virtually from January 28 through February 3 via Hopin; register now for an account.

Here’s a list of films that are either directed by, produced by or having Black talent in prominent roles.

U.S. Dramatic Competition

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Judas and the Black Messiah/ U.S.A. (Director: Shaka King Producers: Ryan Coogler, Charles King) — Fred Hampton’s cathartic words “I am a revolutionary” became a rallying call in 1969. As chairman of the Illinois chapter of the Black Panther Party, Hampton demanded all power to the people and inspired a growing movement of solidarity, prompting the FBI to consider him a threat and to plant informant William O’Neal to infiltrate the party. Judas and the Black Messiah not only recounts Hampton’s legacy and the FBI’s conspiring but also gives equal footing to the man who became infamous for his betrayal—highlighting the systems of inequality and oppression that fed both of their roles. Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders. World Premiere

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Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can "pass" as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere

U.S. Documentary Competition

Ailey / U.S.A. (Director: Jamila Wignot, Producer: Lauren DeFilippo) — Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would. World Premiere

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All Light, Everywhere / U.S.A. (Director: Theo Anthony, Producers: Riel Roch-Decter, Sebastian Pardo, Jonna McKone) — An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. World Premiere

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Homeroom / U.S.A. (Director: Peter Nicks, Producers: Peter Nicks, Sean Havey) — Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world. World Premiere

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Summer Of Soul (...Or, When The Revolution Could Not Be Televised) / U.S.A. (Director: Ahmir "Questlove" Thompson, Producers: David Dinerstein, Robert Fyvolent, Joseph Patel) — During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost – until now. World Premiere. DAY ONE

World Cinema Documentary Competition

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Faya Dayi / Ethiopia, U.S.A., Qatar (Director, Screenwriter and Producer: Jessica Beshir) — A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime. World Premiere

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President / Denmark, U.S.A., Norway (Director: Camilla Nielsson, Producers: Signe Byrge Sørensen, Joslyn Barnes) — Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as "The Crocodile." The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice? World Premiere

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R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere

Premieres

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My Name is Pauli Murray / U.S.A. (Directors: Betsy West, Julie Cohen, Producer: Talleah Bridges McMahon) — Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG's fight for gender equality and Thurgood Marshall's landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray's impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world. World Premiere, Documentary

Spotlight

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Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant.

New Frontier

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Beyond the Breakdown / U.S.A. (Lead Artists: Tony Patrick, Lauren Lee McCarthy, Grace Lee, Key Collaborators: Jesse Cahn Thompson, Aldo Velasco) — Imagining alternate narratives for our near-future reality, inside a browser designed to hack our normal online behaviors and cultivate collaborative spaces for self-reflection and renewal.

The Changing Same: Episode 1 / U.S.A. (Lead Artists: Michèle Stephenson, Joe Brewster, Yasmin Elayat, Key Collaborators: James George, Alexander Porter, Rad Mora, Elliott Mitchell) — An immersive, episodic virtual reality experience where the participant travels through time and space to witness the connected historical experiences of racial injustice in America. A respectful, haunting story infused with magical realism and Afrofuturism about the uninterrupted cycle of the 400-year history of racial terror — past and present.

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Secret Garden / U.S.A. (Lead Artist: Stephanie Dinkins, Key Collaborators: Ethan Edwards, John Fitzgerald, Matthew Niederhauser, Danielle McPhatter, Sidney San Martín, Kate Stevenson, Adaora Udoji, Chris White) — An immersive web experience and installation, illuminating the power and resilience in Black women's stories. Interactive audio vignettes generate a multi-generational narrative that collapses past, present, and future. Cast: Dayne Board, Erlene Curry, Tianna Mendez, Melissa Moore, Brandi Porter, Lisa Sainville.

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Traveling the Interstitium with Octavia Butler / U.S.A. (Lead Artists: Sophia Nahli Allison, idris brewster, Stephanie Dinkins, Ari Melenciano, Terence Nance, Key Collaborators: Yance Ford, Sharon Chang, Kamal Sinclair) — Inspired by the ideas of Octavia Butler, voyaging into the interstitium: a liminal space, a cultural memory, containing the remnants of our ancestors, a place of refuge, a place of recentering, a portal into an alternate dimension.

Shorts

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A Concerto is a Conversation / U.S.A. (Directors: Ben Proudfoot, Kris Bowers) — A virtuoso jazz pianist and film composer tracks his family's lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.

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Black Bodies / Canada (Director and Screenwriter: Kelly Fyffe-Marshall) — A Black man laments as he comes face-to-face with the realities of being Black in the 21st century. International Premiere

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Bruiser / U.S.A. (Director: Miles Warren, Screenwriters: Miles Warren, Ben Medina) — After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood. World Premiere

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Dear Philadelphia / U.S.A., United Kingdom (Director: Renee Osubu) — With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philadelphia. International Premiere

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Don't Go Tellin' Your Momma / U.S.A., Germany, France, Italy (Directors and Screenwriters: Topaz Jones, rubberband.) — In 1970, Black educators in Chicago developed an alphabet flashcard set to provide Black-centered teaching materials to the vastly white educational landscape and the Black ABCs were born. Fifty years later, twenty-six scenes provide an update to their meanings. World Premiere

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The Fire Next Time / United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.

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Five Tiger / South Africa (Director and Screenwriter: Nomawonga Khumalo) — A god-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter. North American Premiere

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i ran from it and was still in it / U.S.A. (Director and Screenwriter: Darol Olu Kae) — A poetic meditation on familial loss and separation, and the love that endures against dispersion.

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Lizard / United Kingdom (Director: Akinola Davies, Jr., Screenwriter: The Davies Brothers) — Juwon, an 8-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos. International Premiere

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Up at Night / Democratic Republic of the Congo, Belgium (Director and Screenwriter: Nelson Makengo) — As dusk fades and another night without electricity falls, Kinshasa's neighborhoods reveal an unstable environment of violence, political conflict and uncertainty over the building of the Grand Inga 3 hydroelectric dam, promising a permanent source of energy to the Congo. U.S. Premiere

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White Wedding / U.S.A.(Director and Screenwriter: Melody C Roscher)—Amidst a racially tense Southern wedding, a biracial bride has the chance to confront her estranged Black father after accidentally hiring his wedding band to perform. World Premiere

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